her son is dead, she is alive. the endless agony of this careens through an entire day: morning, afternoon, late afternoon, evening. now keening, now wretched, now rending, always there, almost a central player. on a day like none other, a day perhaps of reckoning. hajar churashir ma, the mother of 1084, mahasweta devi’s stunning indictment ultimately of a whole way of life even as she grieves with sujata, the protagonist, and senses, elicits, and enunciates her every thought and…
